However, in order to undo that, you would have to remove each one individually via the inspector. When you’re done, double-click on the inspector again to collapse it.Ī. In version 10.2.3 and earlier, you have been able to paste the same attributes to many clips at once. Now, when you expand all of your attributes, you no longer need to scroll up and down. Focus, Katie.Ī. Instead of seeing the original “Video”, “Audio” and “Info” text labels at the top of the inspector, these are now represented with icons.ī. You can now also double-click the top of the inspector to expand it to the entire right side of the interface. All of the role types except the one you have chosen will compress, making it easier to see the one you are working with.ĭ. And if you’re a super organized person, you can even add sub-roles to your roles! Mmm sub-roles.Gosh, all this editing is making me hungry. If you just want to look at one type of role, go to the Index and click on the small circle to the right of the role. By hitting “edit roles” you can change the color that you attribute to each audio or video role.Ĭ. Another new feature is “focusing” on roles. You can also reorder these lanes by clicking and dragging them to a different location in the Index.ī. There are also many new colors to choose from. For example, if you add a clip to your timeline that includes audio, you will see the audio as a part of that clip when the audio roles are hidden, but when they are shown, that audio will move into the dialogue lane (or whichever role you assign it to) and you now have the ability to edit the audio independently of the clip without detaching it. Audio lanes also show audio that is connected to video clips. You can move audio sections horizontally in your timeline, but not vertically into other lanes. There are a few things you should be aware of when working with these roles: To view each audio role in its horizontal space on the timeline, toggle between “Show Audio Lanes” and “Hide Audio Lanes” in the bottom, right-hand corner of the Index. Easy peasy.Ī. We had roles in the last version of Final Cut Pro X but now you are able to organize them into “lanes”, with the most options residing in the audio lanes. Located in the top-right corner, click and choose a section to send to your second display and click again to move it back to your main display. The Effect and Transition browser buttons are still in the same location down in the lower-right corner.Ī. Lucky enough to have an edit computer with two monitors? You now have the option of sending the Timeline, Viewer or Browser to your second display. Final Cut Pro 7 and Adobe Premiere editors will find this feature very familiar. Once you choose one of these buttons, you now have to click on each option in a dropdown menu. These buttons have also condensed from four buttons down to just two. With all this added space, the titles, generators, music and photos browser buttons have moved from the bottom right-hand corner of the interface to the top left-hand corner, allowing for more space in the project work area. You can hide and show the Brower, Timeline (Project), or Inspector by clicking the workspace toggle button in the upper right-hand corner of the interface.Ī. The browser space is now much bigger, so you have more room to navigate through your options. You can find these new workspace layouts in the top option bar above the interface.Ī. Along with being able to create your own workspace layout, you can also toggle parts of your workspace on and off, creating more space to work when you’re not using them.
Aaaaaa.Ī. You can now create your own workspace with an original name, use the built-in workspace presets like Color & Effects, (gives you colorscopes), or use your default workspace.
Maybe I should take back my comments about FCPX being “iMovie plus”…īelow is my list of the top 10 differences between Final Cut Pro x 10.2.3 and Final Cut Pro X 10.3:Ī.Version 10.3 has a darker, flatter interface that matches Apple’s new sleek, modern designs.
#FINAL CUT PRO 10 PROFESSIONAL#
Some may even say that it works more like a professional editing system! I guess Apple is finally listening to their consumers. This new version is a bit different than v.10.2.3, the version we have at NewTV, but comes with some pretty handy features and is more streamlined than its predecessor. In the early Fall of 2016, Apple came out with their newest adaptation of Final Cut Pro X, version 10.3.
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